Sunday, December 25, 2016

The Light in the Darkness

John 1:1-14

St. John the Evangelist at Patmos, Tobias Verhaecht 1598 PD

My old Battalion chaplain shared an article with me recently that gave me a pretty good chuckle. 

The article made me ask a very intriguing question; 

When I take a good look at our nativity scenes, I see lots of characters and critters that don’t necessarily appear in our biblical accounts. 

Donkeys, innkeepers, cows, pigs, all sorts of supporting cast members that don’t really match up quite right with the story we hear in Luke or Matthew’s gospels. 

The author of this article asked a question I had never asked before though; 

“Where’s the dragon?”

No, I’m not getting my stories mixed up but you would certainly think so, wouldn’t you?!

“He must be talking about Lord of the Rings, RIGHT?”

Nope!

The question caught me so off guard, I was flabbergasted when I reflected back on the Revelation to John, specifically chapter 12. 

“Then the dragon stood before the woman who was about to bear a child, so that he might devour her child as soon as it was born. And she gave birth to a son, a male child, who is to rule all the nations with a rod of iron.”

Certainly a different take, isn’t it?

But why would I introduce the book of Revelation on Christmas day?!

It isn’t really a book in the bible we want to engage at any time, much less one of the holiest feast days of the year!

I have to be honest, there were three reasons I took this particular approach, 

first of all, both John’s Gospel and the Revelation to John are written by and to the same community

second of all, both give distinctive and important perspectives on the birth of our Lord

and lastly, they both serve as clear declarations of war. 

A declaration of war against the darkness and a dragon!

Certainly not the Christmas story or the gospel we have come to know. 

But before you start dusting off your swords and armor, keep in mind that this dragon represents more than just some fire breathing myth. 

Please don’t take the dragon literally, but look at the world around John as this revelation is being written and shared with the community. 

A world where empires and emperors have crushed whole nations and people, 

Destroyed holy places of worship

Subjected people to slavery and oppression

It is a place in which John and his community see their rulers as this powerful dragon. 

It is a place where John and the early Christian church see darkness all around. 

A dragon waiting to devour a baby gives us a pretty staunch perspective on the opposition facing our traditional view of the infant Savior in a manger. 

Perhaps it illustrates the odds a bit more clearly for us, odds that are stacked against our Savior, who lays helplessly in the manger

The Word made flesh. 

Flesh that is vulnerable to the cold, violence, hatred, anger, sin, darkness,…. the dragon. 

We rarely consider those odds, because we mistake the scene in the manger as a place of safety, a sanctuary, a safe haven, a refuge. 

Based on modern baby proofing standards, I wonder how this nativity scene would stack up today?

The manger, which was most likely made of stone, probably wouldn’t meet modern standards for a fixed rail crib. 

Geburt Christi, Bernardo Daddi 1325-1350 PD
For that matter, I can’t help but wonder if Mary was an advocate for sleeping the baby on its back or on the belly?

And if those bands of cloth were not tightly bound it would certainly have posed as a choking hazard!

We just don’t consider the vulnerability of this scene, which is the very reason these two images of darkness and a dragon may be so important for us today. 

Because it is the in-breaking of God’s light, God’s Word, into a world that is hostile to more than just a baby, 

but the challenge this child will pose to the very notion of what authority means to this world in the first place. 

~

But it is Christmas Day, and I don’t want to leave you with something too heavy, too dark, too challenging. 

In fact, as we were preparing for Christmas this week, 

My wife and I had a conversation about my sermons, my teaching, my theology. 

And by now, it is no secret to you all that I like to play in the darker corners of the gospel. 

It isn’t for the sake of shock value or discomfort, because I realize that these are the places that are the most uncomfortable for the majority of people. 

So I will be honest with you all. 

It is because, in John’s preface to this Gospel, I find my clearest understanding of Hope in Christ. 

You see?

I’ve known the dark, and not just my own. 

I’ve been able to sit in the dark, alone and with others. 

And it is in that moment that I have always found we come face to face with a feeling of complete abandonment, even despair at times. 

But it is in those moments where we end up resigning ourselves to our own depression, or escaping to a faith that is devoid of reason, or we can open ourselves completely to the challenging truth of God’s grace that we find right here in John’s words. 

“What has come into being in him was life, and the life was the light of all people. The light that shines in the darkness, and the darkness did not, does not, and will not ever overcome it”

It isn’t that I like the darkness or I prefer the darkness, because I do not. 

I neither prefer it for myself or for you, 

But if I must choose where I will sit to watch the stars in the night sky, I will always resort to the place that is the most devoid of light. 

Because that is where the light shines the brightest, and it is where we witness the truest beauty of God’s Light.

~
Philosopher in Meditation, Rembrandt 1632 PD

In 2014, HBO introduced a new crime detective series called True Detective. 

While considered a crime drama, it was deeply philosophical and theologically focused. 
I enjoyed watching the show, but the brilliance of the story and writing came in the final scene of the first season. 

Following the closure of a 17 year old case, two private detectives who were once partners in the Louisiana State Police Department.

Are leaving the hospital after suffering near fatal injuries at the hands of the criminal they were pursuing. 

Marty, played by Woody Harrelson, wheels his old partner, Rust, played by Matthew McConaughey, out of the hospital in a wheelchair to get some fresh air. 

As Rust bears his soul to Marty about his near death experience, Marty attempts to distract Rust by pointing out the stars in the night sky and asking him to share a story with him about the stars. 

As Rust looks up at the sky he shares a final revelation to his friend Marty exclaiming; 

“I’ll tell you Marty, I’ve been up in that room looking out those windows every night here, just thinking, it’s just one story; The oldest”

Marty, confused by Rust’s rambling thoughts questions; 

“What story is that?”

“Light versus dark” Rust replies

Marty, looking back up towards the night sky observes; 

“Well, It appears to me that the dark has a lot more territory.”

And with that, for the first time in nearly the entire season of the program, the two detectives seem to agree on something. 

Of course, this final scene is a metaphor for something far deeper than star gazing and astrology. 

Because the experiences of these two men have made them believe that the dragon - the darkness - holds far more power over their lives, our lives, and the world than it really does. 

They’ve seen so much darkness that they have almost come to stop believing in the light. 

And just before the end credits get ready to roll, 

Marty and Rust decide that he has had enough of the hospital, 

so they are going to leave the hospital together in spite of the doctor’s orders, 

limping through the parking lot and leaving the whole debate over darkness behind them until Rust’s attention is drawn back to the sky for one final glimpse, 

and he corrects Marty’s view, as well as his own exclaiming

“You know? You’re looking at it wrong, cause once there was only dark, so if ya ask me, the light is winning.”

~

John’s preface intentionally points to the opening of Genesis

“In the beginning when God created the heavens and the earth, the earth was a formless void, and darkness covered the face of the deep, while wind from God swept over the face of the waters.  Then God said, ‘let there be light’ and there was light. And God saw that the light was good”

John’s preface is more than just a declaration of Jesus’ eternal existence with Father, as the Word made flesh. 

It is proof to a world that can only sometimes see the darkness, or is under the illusion that the darkness is winning. 

Both John’s preface and his own nativity vision in Revelation are meant to refocus our attention, not on the darkness but on the light. 

A light that is revealed to Shepherds under the night sky, 

a light that leads the Magi to have the Light that is God revealed to them through Christ, 

a light that shines in the darkness of a Bethlehem night, 

a light that cannot be consumed by the darkness or the dragon of any empire. 

So, today as you polish off the final tidbits of your Christmas feast and the wrapping paper has all been cleaned up, 

Don’t look for new corners where the light doesn’t seem to reach, because that would just be pessimistic. 

Don’t avoid the closets and caves where you believe darkness is all their is, because that would just be naive. 

But see the world as it is, a place where God’s light shines brightest in the darkest places. 

Because a light that shines in the light can hardly be seen. 

But a light that shines in the darkness will always shine brightest of all. 

And Joy to the World, because in that Word made flesh that light has, is, and always will come, defeating every dragon and scattering any darkness that will ever threaten God’s creation. 

And all that occurred in the birth of a very vulnerable, very human, Word of God, born on a silent night, the Son of God, Loves pure Light.

~

And this is where I planned on tying my sermon neatly together and closing out this Christmas morning.

That is until Pastor Stephen and I received an email in between our Christmas Eve services last night, from someone currently deployed on the other side of the globe. 

I wrestled with whether or not to share it with you, but given the day and the practical reality  of what was said, it is better to ask for forgiveness than permission on Christmas Day. 

Because this individual tied it all together better than I could when they said quite simply, yet far more eloquent than they may have fully realized. 

"So, not a hint of snow in the air, but there is definitely a hint of something else… there is the promise that tomorrow we celebrate the birth of Jesus, born not too far away from where I am right now, and with that birth comes the true promise of salvation. 

Ok, so no snow angels, no hugs and no kisses from my spouse, or my children, none of the other random things I would enjoy this day, but that is the promise that we are given, and by God, that is a promise I’ll take." 

And with that, I wish you all a very Merry Christmas, especially to our friend who has proclaimed the Word to you on this day, 

Expressing a faith in that promise, that certainly humbles me. 

Amen


Adoration of the Shepherds, Anonymous Spanish Painter, 1325-1350 PD

Sources

Oswald, Roy M. and Arland Jacobson. The Emotional Intelligence of Jesus: Relational Smarts for Religious Leaders. United States: Alban Institute, 2015.
Pizzolatto, Nic. True Detective Season 1 Episode 8 “Form and Void.” Directed by Cary Joji Fukanaga. New York City, NY: HBO, 2014.





Sunday, December 18, 2016

Have a Very Twisted Christmas

Isaiah 7:10-16 and Matthew 1:18-25

The Dream of Saint Joseph, Giovanni Battista Paggi 17th Century (PD)

This past week, our office staff had our Christmas get-together. 

We had all sorts of conversations and as usual, I had to make an off-color joke, 

To which someone responded, “Oh my, our associate pastor is just a little bit twisted, isn’t he?”

Now, I must say, both my joke and the comment that followed were lighthearted and most likely the joke was far more innocent than some of you are imagining. 

After all, Pastor Stephen and I are usually pretty good as long as you keep us separated at any type of social event. 

But I must admit, when I was described as “a little twisted”, I thought to myself, that is one of the finest compliments I could receive as an associate pastor. 

In fact, I would also describe myself as a little twisted, especially during Advent and as we get closer to Christmas. 

To be honest, my two favorite twisted sources of entertainment -once I get a chance to go home for Christmas- are as follows; 

The movie; “National Lampoons Christmas Vacation” and The Pogues Christmas ballad; “Fairytale of New York”. 

Funny thing is I don’t believe these two Christmas fav’s of mine will make it at St Michael this year.

National Lampoons Christmas vacation is probably not a movie we’ll watch here at St Michael, and I’m relatively doubtful that our music director is going to let me drop the Pogues' British Punk into our Christmas Eve service this year. 

But both our first lesson and our gospel are pretty twisted too, just like many of our own family Christmas gatherings that turn out a little bit twisted in the end. 

Just like our lives, that sometimes turn out to be a little different than we imagined, maybe even a little bit….twisted.

~

In our first lesson, things are certainly twisted for Ahaz. 

Ahaz came to the throne of Judah, the southern kingdom of Israel, under duress. 

The King of the northern Kingdom, had formed a coalition, to force Ahaz to ally himself with his forces and confront the Assyrians.

The Assyrians had become the dominant power in the region and formed a seemingly invincible military force that was destroying anything in its path that didn’t submit to their bidding. 

As a king, Ahaz is unprepared for the crisis. 

Stuck between a rock and a hard place, in a less than ideal situation he became desperate. 

He had a vision for how things should be, how he wanted them to be. 

Desperate he violates the two most sacred offices that he holds, 

Not the office of King, but the office as God’s anointed leader. 

A relationship between, not a King and his subjects, but a role as God’s servant, the human vessel for God’s will and purpose in Israel. 

The second most sacred office he violates, is the office he holds as a father. 

Desperate because of these twisted events, frustrated because things have not occurred as he had envisioned them, Ahaz turns to pagan gods for help, offering his own son as a burnt sacrifice. 

Engraving of Ahaz sacrificing his son

So, God sends Isaiah in our first lesson, to counsel Ahaz. 

Perhaps to evoke courage or provide a more positive outlook?

But the conversation falls flat, because Ahaz refuses to voice his doubts over the twisted predicament he and Judah now face. 

“Ask for ANY sign, ANY question, confront God with your doubt, your anger, your unbelief” this is what God asks of Ahaz.

But instead of taking God’s invitation to name his twisted outlook out loud, Ahaz falls on his own false piety.

As if revealing his already obviously lacking confidence in God is a graver sin than turning to pagan gods and sacrificing his very own son?

In response, God exits the conversation and sends in the ax man; Isaiah. 

And Isaiah doesn’t candy coat anything, he exposes Ahaz’s cowardice as a far greater sin than just a lack of courage, he deems Ahaz as obsolete, 

Because Ahaz can no longer be the vessel for God’s will if Ahaz thinks God is helpless against this less than ideal situation. 

And so, Isaiah declares that God will work through another, and Ahaz is left to grovel before Assyrians. 

Eventually finding himself literally, licking the boots of the Assyrian King, humiliated and useless, to God as well as the people of Judah. 

All because it wasn’t happening according to his OWN plans or his OWN vision. 

~

A similar situation arises for Clark Griswold in National Lampoons Christmas Vacation. 

Clark Griswold, played by Chevy Chase, finds himself attempting to host the perfect Christmas gathering in his own home. 

By the end of the movie, his entire extended family has come to his home to celebrate Christmas, which should be a joyous occasion.

Yet his Christmas tree is caught on fire, his family’s Christmas turkey is so overcooked to the point where it fizzles out like a balloon when they attempt to slice into it, and a police SWAT team nearly destroys his home when his backwards cousin Eddie kidnaps Clark’s boss for nearly sending Clark into financial ruin. 

All of the comical hijinks that surround the movie is really what makes it entertaining, because as I sit back watching Clark attempt to create the perfect Christmas experience, I see myself.

I think many of us do. 

Hoping to avoid the pitfalls and tense family conversations, complaints about cuisine, the gifts, the decorations, ….maybe the sermon?

But sometimes the harder we try, the more futile our efforts are, and the more we work at it the less faith we have in just why we celebrate the season in the first place. 

And so, we try to make it look more like the vision we have for Christmas, just like we try to perfect our own lives.

Striving for perfection in our marriages, our families, our work, our finances, yet never reaching our goal, and frustrated with just how twisted it has all become. 

~

Joseph’s situation is a bit different from Ahaz -or Clark Griswold for that matter- Joseph is also in a no win situation. 

He has committed to a legal and religious agreement to marry a young woman, who is discovered to be pregnant. 

Being a righteous man, it was Joseph’s DUTY to divorce Mary. 

St Joseph with the Infant Jesus,
Guido Reni 1620 (PD)
Not out of spite or anger -although he has that right too- 

but because the child, if male, is a prized heir of another. 

Joseph has a religious and legal responsibility to NOT take another’s child as his own. 

He has two choices. 

He can release Mary from her agreement, so that the true father can take the child as his own. 

Or he can reserve the right to disgrace her for violating their religious and legal agreement, which would carry a legal penalty that could cost her life. 

And even before Joseph dreams, we see his character because he is righteous AND YET unwilling to treat Mary with the cruelty any other “righteous man” would have legally subjected her to. 

Joseph proves himself a kind man, even without a sign from God. 

Yet, Joseph fades into the background and barely makes it past Epiphany in Bible studies and worship. 

Joseph would be lucky to win an Oscar for best supporting actor.

In spite of the fact that God’s sign invokes an obedience that defies Joseph’s plans for his own life, his own estate, his own religious convictions, his own rational thought, his own vision of how this life would all pan out. 

Joseph cannot possibly see this will, this plan, as advantageous for him. 

It is humiliating at best and upon receiving word in his dream that it would be a male child. 

He is committing to favoring this child over any other male heir he and Mary will ever conceive in the future. 

And for a lowly peasant carpenter, that is asking a lot. 

In Luke’s account, Luke focuses on Mary’s willing yet passive submission to God’s will but in Matthew’s account Matthew chooses instead to focus on Joseph’s active obedience and willing participation in God’s will. 

Perhaps, as we prepare for the coming of this Christmas season we should consider the importance of both of these traits, both of these stories. 

Especially when things become difficult. 

Because while so many of us present the facade of a joyous Christmas in our homes and in our lives,  many of us struggle with Christmas. 

When we see an empty seat at our family table perhaps, or as we avoid making eye contact with our own particular cousin Eddie at the table, or maybe we just want to skip Christmas altogether in hopes that we can start our twisted lives anew by flipping the calendar while crossing our fingers that 2017 will be better. 

~

My other secular Christmas favorite, the Pogues 1987 ballad; “Fairytale of New York” is anything but a fairytale. 

Much like Ahaz and Joseph, it is a twisted situation. 

The song is a call and response duet that tells the story of an Irish couple, aspiring to make it on Broadway. 

After having immigrated to New York city they find their lives falling apart, as well as their relationship. 

Recollecting their dreams of how they envisioned things would be in New York they sing; 

They’ve got cars big as bars
They’ve got rivers of gold

And later the couple acknowledges; 

You were handsome 
You were pretty
Queen of New York City
When the band finished playing
They howled out for more

But the song becomes dark, as they accuse one another of ruining their vision for their shared lives together. 

Accusing each other of ruining the other’s dreams through their own broken actions, substance abuse and even infidelity. 

It’s a dark, gritty, and yes, a very twisted ballad. 

But that is why one particular stanza moves me to tears, almost every time I hear it; 

I could have been someone
Well, so could anyone
You took my dreams from me
When I first found you
I kept with me
I put them with my own
Can’t make it out alone
I built my dreams around you

~

This is our final week of Advent. 

It is a time of preparation for a festive season, fraught with good food, music, family, friends, you name it. 

But it is also a time to believe that God is at work in all things, including our twisted failed dreams and lives. 

We can plan for perfection, we can visualize what our dream Christmas will look like, obsessing over our own preparation, causing anxiety, stress, and frustration when things don’t turn out the way we want. 

But even in the most twisted situations, God can create truly perfect dreams. 

After all, who’s twisted dream in life begins on the soiled floors where animals are kept and ends crucified on the cross?

Because when God dreams it, it becomes something more than just twisted, it becomes love incarnate. 

Amen

Adoration of the Shepherds, 
Gerard van Honthorst 1590-1656 (PD)






Sources

Hughes, John. National Lampoon’s Christmas Vacation. Directed by Jeremiah S. Chechik. Burbank, California: Warner Brothers, 1989. DVD.
Pogues, The and Kirsty MacColl. “Fairytale of New York (feat. Kirsty MacColl).” on The Best Of The Pogues. 1991.